Inthe early 2000s he discovered stencilling and quickly adopted it into hisworks.īit by bit, following market demand, street artistsbegan to move into galleries. Now, Whatson's main sources of inspiration are the brilliantJose Parle and Cy Twomby, whose creative processes he particularly admires. Each wall and every building becametheir playground. The local politicians were veryagainst street art, making the work of the young artists very difficult, butthey never let this slow them down – far from it. Growing up in the 1990s in Oslo, Whatson quicklyjoined the emerging local graffiti scene.
#Whatson art full
His universe is full of contradictionsand anomalies, all demanding a moment of reflection from viewers both in galleriesand on the streets.
He has been collaborating with big names and winningover collectors from all over the world for the last ten years, thanks to hisincomparable and instantly recognisable style. Born in 1984, hestudied art and graphic design at the school of communications in Westerdals,Oslo. Young Norwegian Martin Whatson is anunmissable figure in the contemporary street art scene. The base of his works in black and white, then adds an unexpected twist ofĭiscover this emerging talent and the big names he collaborates with – That decides whether he will establish order or chaos. His inspiration everywhere: in architecture, landscapes, patterns, and with Them back to our attention with to his strikingly colourful graffiti. He seeks out subjects which are largely overlooked by society and brings Whatson was not exempt from this, and he startedĬreating as much work on canvas and paper as he did frescoes outdoors. The early 2000s he discovered stencilling and quickly adopted it into hisīit by bit, following market demand, street artistsīegan to move into galleries. Jose Parle and Cy Twomby, whose creative processes he particularly admires. Now, Whatson's main sources of inspiration are the brilliant They never let this slow them down – far from it. The local politicians were veryĪgainst street art, making the work of the young artists very difficult, but Joined the emerging local graffiti scene. Growing up in the 1990s in Oslo, Whatson quickly His universe is full of contradictionsĪnd anomalies, all demanding a moment of reflection from viewers both in galleries Incomparable and instantly recognisable style. Over collectors from all over the world for the last ten years, thanks to his He has been collaborating with big names and winning Studied art and graphic design at the school of communications in Westerdals, His original work can be found in private collections and institutions with solo exhibitions featured in cities from Tokyo to LA, London to New York.Unmissable figure in the contemporary street art scene. Martins work features with festivals, projects and walls globally. whether immersing entirely or embellishing a detail, the images disappear beneath expressive, spray-painted strokes of assorted colours and textures. True to form, no gray space stays gray for long in Martins presence. The ashen tones of the compositions and vacant backgrounds are reminiscent of his alternative canvases, the concrete. Almost stylised, these minimal figures are constructed of a few layers of hand-cut stencils. Delicate and organic characters feature butterflies, ballerinas and animals all rendered in empty grayscale space. With as many works on walls as on canvas and paper, the relationship between vulnerability and strength remains constant in each work. This balance would come to define his creative approach. The evolution moved him closer to a simple yet effective aesthetic he believed could bridge the gap between the passion and spontaneity Graffiti held for him, with the fragility and transience of nature. In the early 2000s, this interest in layers became more literal with the introduction of stencils into his work. The same deconstructive processes can be seen in his creative influences of Jose Parla and Cy Twombly. The physical architecture of the city was a constant inspiration, the elaboration and destruction of each generation contributing to the urban infrastructure. Growing up in Oslo Norway, Martin Whatson was an active part of the emerging graffiti scene of the early 90’s which at the time maintained zero tolerance. His works can be seen to mirror the rise and fall of the streets, as he symbolically recreates the urban environment, then vandalises it to reveal his vibrant transformations. Over the past decade, Martin has developed an unmistakable aesthetic combining abstract movement with figurative stencilled compositions. Martin Whatson (b.1984) is a Norwegian street artist best known for his calligraphic scribbles in grayscale voids.
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